"But you just correct your mistake and keep the train moving. "Sometimes I still get a little confused and jumbled up because you'll be thinking you're going northbound and you're coming southbound and it just because you do it every day, repetitiously," she says. "You do your whole life down here and it's a wonderful thing," she says.ĭinnall does her best to keep her fellow New Yorkers on track, detours and all. "This job affords you a life after working where you'll still get a salary," she says. Her work ID grants her free rides on public transit and, looking ahead, she'll also get a pension, a rarity in the modern workforce. I'm just a people person overall, so it doesn't bother me much." I love helping people get where they have to go. "It is very overwhelming sometimes because you're dealing with a lot of people, a lot of nationalities, a lot of personalities," Dinnall adds. "We run on very prestigious schedules, because trains have to leave at a certain time. The interruption can be "annoying." Dinnall just wants to get passengers where they need to go. Sometimes you'll get occasionally the person that wants to hold the door." "They get on and off the train like they're supposed to. "On a normal day, passengers are really nice," she says. The hardest parts of her job - early mornings, staying on time, working weekends and holidays - are also what New Yorkers depend on.Īnother challenge is also sometimes the best part: interacting with passengers. Located in close proximity to Hudson Yards, Little Island, The High Line, West Chelsea art galleries, and The Meatpacking District, The McKittrick is a not-to-be-missed destination for locals and visitors alike.įor additional information, visit she spends the day in her cab, she's in constant communication with an operator that drives the train to stay on schedule and get a birds-eye view of how the overall system is running. The legendary venue is also renowned for presenting one-of-a-kind live concerts, intimate music festivals, and spectacular soirées for Halloween and New Year’s Eve. Guests are also welcome to the hotel’s rooftop garden bar and restaurant, Gallow Green McKittrick Hotel provides a unique location for celebrations and private gatherings of all sizes. The McKittrick Hotel is home of immersive theater spectacle “Sleep No More” dazzling “Speakeasy Magick,” and intimate live events in Manderley Bar and The Club Car. Visit for menus, reservations, or to customize a private gathering.Īll guests of The McKittrick Hotel are required to show photo ID and proof of full vaccination upon arrival. Guests are welcome to dine at the hotel’s rooftop bar and restaurant, Gallow Green, before or after the performance. To purchase tickets, visit and select an available date. “QUANDO” is the pilot of NO EVIL Projects, an initiative meant to create a self-replenishing fund of seed money for new projects in the opera field by BIPOC creators.įor more information, visit: Performances are offered on Thursday 4/7, Friday 4/8, and Saturday 4/9 at 7:30PM. Some of the most beautiful and famous music from the operatic canon becomes the landscape for this fierce social satire of sex, activism, and the performance of everyday life. Lauren Michelle, Brian Vu, and Shelley Washington appear in the film.Īudiences will be challenged to re-examine their perceptions of art and its role in societal transformation. Gluck, film arrangements by Daniel Schlosberg, with additional live musical disruption by Mx. The latest addition to the company's cutting-edge repertoire features original 19th century opera music by Giuseppe Verdi & C. Heartbeat Opera’s “QUANDO” is co-produced with Long Beach Opera, Directed & Edited by Tee Vaden, and Produced & Conceptualized by Associate Artistic Director, Derrell Acon, with Photography Direction by Kathryn Boyd-Batstone and Production Design by Yuki Izumihara. Tickets are required for entry and a full bar is available to enjoy with the performance. The McKittrick Hotel (home of “Sleep No More”) presents the New York premiere of Heartbeat Opera’s “QUANDO” - when the performance gets too real.
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